This work begins with something I learned early: sewing is not separate from thinking.

I come from that space. From a domestic practice that was never named as knowledge, but that shaped how I understand making, material, and form. Textile Woman emerges from that place—not as representation, but as a way of working through it.

Here, the body is not outside the work. It enters it, attaches to it, pulls from it. The textile extends into space and into architecture. It doesn’t stay on the wall. It shifts, it moves, it reorganizes what is already there.

I wear the structure. I connect it to the room. I displace the object from a fixed position and return it to something closer to use, to action, to relation.

The materials come from books, from images already circulated, from fragments that carry a history of classification and order. I cut them, sew them, reassemble them. Not to restore meaning, but to interrupt it.

This is where the work happens:
between body and structure,
between textile and architecture,
between what is given and what can still be reconfigured.

Credits / Presentations

ArtLatinou Gallery, Mexico City, 2022

Solo exhibition

Photos by Antonio Juarez Caudillo