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30 March, 2026

Calihtic Performance

Calihtic: Inside the Womb of the House (Performance) 2022–2023 Performance + textile installation This work operates across layers that do not align: territory, archive, and body. […]
19 March, 2025

Lessons to Understand Art History

WhiteBox NYC. WhiteBox NYC. Revaluing Feminine Trajectories and Stitching Alternative Genealogies in the Work of Yohanna Roa By Karen Cordero Reiman “As a verb […], ‘to […]
19 March, 2025

The Open Seam

The Open Seam: Torbellino 1 — The Dance of the Hummingbird (Ndukun) 2025–ongoing Performance + textile structures   This performance begins with a story I was […]
24 July, 2023

Pocahontas and Malinche

Pocahontas and La Malinche 2023–ongoing. Performance + textile structures This performance begins with two figures that have been told to us as origin stories: Pocahontas and […]
10 October, 2022

To Remember You

To Remember You 2023–ongoing Performance + textile installation This work is built through others. The portraits in the wall, come from women I have known, and […]
4 October, 2022

Calihtic, Inside The Womb Of The House.

Performance – Installation Calihtic is a funerary garment that puts in context the origin of the scientific method’s insertion during colonization in America and its fatal […]
3 May, 2022

Textile Woman

Textile Woman 2019–2022. Performance + textile environment This work begins with something I learned early: sewing is not separate from thinking. I come from that space. From […]
5 April, 2022
26 November, 2019

the past, instructions for its use

The work of Yohanna Roa returns to the history of art the materiality that the disciplinary trajectory has robbed, in the attempt to rationalize and convert its sensoriality into words; to grant him a structure, a canon; and to integrate it into Western History with a capital letter.